- #Marina abramovic in brazil the space in between 2016 how to#
- #Marina abramovic in brazil the space in between 2016 series#
"We are now in the process of figuring out the answer to the question, which we haven't really answered yet, of how to make content on Vimeo more discoverable, which it's not right now. He added that while Vimeo is focused on its creator tools, it does have an audience of more than 250 million that it needs to address. The reality is that it's tens of thousands of consumer experiences that can be very different." "The way Vimeo works right now, it's very hard to define the consumer experience," he said. Speaking at the Goldman Sachs Communacopia conference on Thursday, Levin acknowledged that Vimeo doesn't yet have an answer to that question. The turnover comes as Vimeo is exploring how to compete in the Netflix-dominated streaming-video space while also continuing to offer the filmmaker tools for which it is known.
IAC CEO Joey Levin has stepped in as interim CEO until Trainor's replacement is named. In June, Vimeo announced that CEO Kerry Trainor would be leaving.
#Marina abramovic in brazil the space in between 2016 series#
"Vimeo's audience is 70 percent outside of the United States, and with our recent decision to provide a global transactional VOD destination for hit series from Lionsgate and others, it made sense to expand our investment towards international filmmakers and creators." "This round is focused on a more international audience, with projects hailing from talent in South Africa and Brazil," says Sam Toles, head of global content acquisition and distribution. Its second batch of originals included a short film from Saturday Night Live's Aidy Bryant and a standup special with RuPaul's Drag Race winner Bianca Del Rio. It made waves when it brought cult favorite High Maintenance back for two new seasons in 2014, but the series was quickly scooped up by HBO for a new season that premiered Sept. This is Vimeo's third slate of originals. All three are executive producing with Abso Lutely Productions. Comedians Kate Berlant and John Early star in the project, which is directed by Andrew DeYoung. While there’s a lack of analysis that will leave many disappointed, it’s well-worth a watch based on its beauty alone.Miniseries 555, which will be released in January, is a comedy about the cinematic underbelly of Hollywood. For others, it may come across as a superficial ego project. Overall, it’s a beguiling insight into a woman who continues to forge a path in what is undeniably still a man’s world, and we see glimpses of the endurance and vulnerability we know and respect of Marina.įor her fans, The Space in Between is a beautiful film, that will inspire, if not educate. It brings to mind Paolo Sorrentino’s satirical Talia Concept from The Great Beauty, who produces precocious soundbites for interviews but is decidedly vague. The expert approach to production values leave it feeling similar to found-footage-style movies like Paranormal Activity, and we’re expected to accept, rather than question or understand.Ībramović’s willingness to explore, as well as her humility, is endearing but is spoilt slightly by the pseudo-intellectualism. Marina Abramovic travels through Brazil in search of the spiritual forces of nature that are embedded in the culture of native Brazilians. We’re provoked to feel and empathise with the dramatic monologues and breathtaking visuals, but there’s an unnerving sense of emptiness to the film. This is, of course, to be expected of a performance artist, but the nature of the theatricality is rather suspect. The irresistible cinematography seems to jar against the “rawness” that we associate with Abramović, as we see her apparently “at one” in a stunning staged tableau overlooking fields and mountains. While her work is thoughtful and sometimes profound, there remains a cloying melodrama to it.
There’s a breathless quality to the atmosphere that leaves you thinking of churches, and it makes an interesting watch, despite not lingering for long in any location. She uses her rich knowledge of performance, art and general life experience to go on a personal journey of self-discovery, seeking the transformative qualities of ritual and dazzling us with brilliant imagery. We follow her on a rambling trip through the Brazilian countryside as she goes in search of herself, seeking to heal her broken heart.Ībramović subjects us to her usual tropes in an attempt to subvert and essentially succeeds. The darling of the art world, Marina Abramović, showcases her latest foray into cinema, as she explores South America and their vibrant rituals.
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